Music

Cameron Picton steps out post–Black Midi with My New Band Believe, a debut shaped by London’s underground scene and a turn toward darker, psychedelic folk. What once felt like fragments of his writing now comes fully into focus, expanding into a complete and distinct vision.

Tiffany Day’s HALO  album cover Daniel Corretjer Rios Writer April 6, 2026 Tiffany Day’s transition into full-blown electropop has been gradual yet intentional. That shift is fully realized on her sophomore album, HALO , an introspective, light-filled showcase of electronic production. Her debut, LOVER TOFU FRUIT , took a softer approach to processing insecurity and loneliness, with hints of more adventurous production. On standout singles like “PRETTY4U” and “START OVER,” HA

Arlo Parks’ "Ambiguous Desire" feels like a quiet conversation in a nightclub, slightly removed from everything around it. The album blends soft disco and alternative R&B while exploring healing and self-discovery, making it one of her most personal releases.

Thundercat’s Distracted marks his long-awaited return, blending melodic R&B, funk, and standout bass work across a 47-minute runtime. Featuring collaborations with Tame Impala, Mac Miller, and A$AP Rocky, the album delivers strong early highlights before settling into a more familiar sound.

Paul McCartney looks back on Liverpool in “Days We Left Behind,” the first single from Boys of Dungeon Lane, out May 29.

The All-American Rejects closed out Universal Orlando’s Mardi Gras 2026 with a high-energy performance featuring fan favorites like Dirty Little Secret and Move Along.

After nearly four years apart, BTS returns with ARIRANG, a comeback that feels earned rather than nostalgic. It’s uneven at times, but when it hits, it reminds you exactly why they matter.

Under uncertain skies, Sublime delivered a set at Reggae Rise Up that celebrated their legacy while introducing a new era with Jakob Nowell.